There is just under a month left to see Abstruction:...
Contemporary art
Spalding House hosts panel on art’s role in activism and advocacy+
The rapper/director Boots Riley said that “culture is not a...
Suda House’s ‘Making Waves’ photographs are inspired by powerful women from mythology+
Although located approximately in the middle of the Making Waves...
‘Making Waves’ artist Carol Bennett on how being a swimmer inspires her artwork+
The exhibition Making Waves—on view beginning June 14 in the...
A SoundCloud playlist inspired by ‘Abstruction: The Sculpture of Erick Swenson’+
Our current contemporary exhibition Abstruction: The Sculpture of Erick Swenson...
Erick Swenson’s mystifying sculpture ‘Ebie’ is right out of a sci-fi movie+
The instant you enter Abstruction: The Sculpture of Erick Swenson, you...
Artist Juvana Soliven on beeswax and feeding the community+
Now on view in the museum’s galleries in the First...
Curators’ notes: Keola Rapozo and Michael Rooks on curating ‘Contact’+
Now on view at the Honolulu Museum of Art School...
Places found by memory: Artist James Jack on ‘Molokai Window’+
After talking story with Uncle Mac Poepoe, artist James Jack...
Go behind the scenes of ‘Abstruction’ with the HoMA app+
Get more out of Abstruction: The Sculpture of Erick Swenson with the...
The poetry of Erick Swenson’s ‘Ne Plus Ultra’+
Now on view is Abstruction: The Sculpture of Erick Swenson....
Members, see ‘Abstruction’ free this week!+
Our long-awaited contemporary exhibition Abstruction: The Sculpture of Erick Swenson...
Erick Swenson: I like the physicality of making something by hand+
HoMA’s big contemporary exhibition of the year—Abstruction: The Sculpture of...
Staff Pick: Janna Plant loses herself in the forest of ‘L’Enfant et les sortilèges’+
In addition to our staff of almost 200 employees, HoMA...
‘Body of Work’ welcomes Yasumasa Morimura’s ‘Self-Portrait/After Marilyn Monroe’+
Have you had a chance to visit the exhibition Body of...
Halekulani features work by Harry Tsuchidana in its gallery+
Does Abstract Expressionism: Looking East from the Far West have...
‘Loafer’: See Art School director Vince Hazen’s fungal farewell in the Nanogallery+
“Just dip the brush in the water and then touch...
It Seemed Like the Future: Remembering Fred H. Roster+
I wanted to say this in black and white using...
Doris Duke Theatre is CLASSIFIED Jan 5-11+
After four years of highlighting global cultures through regularly scheduled...
Charles Cohan on collaboration and memory in ‘Ground’+
Charles Cohan and Abigail Romanchak with Converge II Master printmaker Charles...
Lynne Yamamoto on ‘Borrowed Time’+
One of the hits of the inaugural Honolulu Biennial was...
Q+A: Harry Tsuchidana on his work and midcentury time in New York+
At 85, Harry Tsuchidana still works in his Salt Lake...
Two views of war: Madge Tennent and Reem Bassous+
Hanging side by side in the Arts of Hawai‘i Gallery...
Ira Villafranca: Turning the Surface Gallery into Luxury Row+
There’s a new mural in Spalding House’s outdoor Surface Gallery....
Mickalene Thomas’s ‘Left Behind 2 Again’+
From bronze busts to intimate drawings of shadowy figures, the...
What’s in a flag? Vito Acconci’s print amplifies the Pledge of Allegiance+
Opening July 27 at Spalding House is The World Reflected,...
Nanogallery cult: Alec Singer on Tomorrow Takes Forever+
On March 31, for the 15th anniversary screening of Donnie...
Shahzia Sikander’s Parallax: Questions! An observation by Tali Ariav+
Editor’s note: There are just three weeks left to see...
Hana Yoshihata: Voyaging artist+
The return of Hokule‘a and Hikianalia to Hawai‘i on June...
New Chinatown gallery features work by Michelangelo Pistoletto+
In March, two days before the Honolulu Biennial opened, two...